“Wim Wenders’ tale of cerebral, confident strangeness” - The Guardian ★★★★
Technically, ALICE IN THE CITIES is Wim Wenders’s fourth film, but he himself often refers to it as “his first,” because it was during this film that he discovered the genre of the road movie. (It would later become the first part of his Road Movie Trilogy, together with WRONG MOVE and KINGS OF THE ROAD.) It was also his first film to be shot partly in the US and the first to feature his alter ego, Phillip Winter (Rüdiger Vogler). ALICE is often compared with Charlie Chaplin’s THE KID. In 1974 it won the German Critics Prize.
The German journalist Phillip Winter wants to write a story about America, but is unable to accomplish anything but a series of Polaroids before disappointedly beginning his journey back home. At the same time, he reluctantly agrees to take little Alice (Yella Rottländer) with him, because her mother (Lisa Kreuzer)— whom he meets in New York on the day before his departure—has urgent business to take care of there.
In Amsterdam, the mother then fails to appear as they had agreed, and so Winter and Alice set out to try to find Alice’s grandmother in the Ruhr region. During their search together, their initial mutual dislike gradually transforms into a heart-felt affection.
SCREENING AS PART OF KINO DREAMS
Kino Dreams is the first UK retrospective of Wenders’ films in 15 years and the first chance for UK audiences to experience the 4K restorations of Wings of Desire, The American Friend and Kings of The Road in cinemas.
The tour, supported by the BFI awarding National Lottery funding, aims to give audiences across the UK a chance to see these restorations on the big screen and introduce a new